10 Reasons to Watch Downton Abbey

Britain's hit drama Downton Abbey, which follows the lives of an aristocratic family and the servants who work for them, took the world by storm last fall, much to the surprise of everyone involved in the show and those who thought it wouldn't be as great a success as it has become. It has acquired millions and millions of viewers worldwide since its premiere and has been highly-acclaimed by critics, most recently earning 11 well-deserved Emmy nominations. Fingers cross that it wins the majority of those on Emmy night!

I was fortunate enough to be in the UK while the series was being broadcast for the first time and I immediately fell in love with it from the start. I've seen it numerous times, so many that I've actually lost count, and have been trying to convert anyone who will listen to me go on and on about this show into fans. Always trying to spread the word, I have compiled a highly-biased list of what I feel are the top 10 reasons to watch this show. Feel free to disagree with me, these are simply my opinions. I only hope that I am convincing enough to compel others to heed my advice and watch it. If not, well then I have amused myself in making this list. Please note that there will likely be spoilers from the first series included.

And without further ado, here they are!

X | The Score

Downton Abbey's soundtrack is simply superb! Composer John Lunn does a fantastic job of providing such beautiful musical accompaniment that really fits with the show and enhances it. From the moment the opening credits roll, which is wonderful in itself, one is immediately sucked into the world of Downton and, at least in my case, there is no turning back. Like a fashion designer's collection, every piece is carefully crafted and cohesive with the others, and yet each manages to have its own feel while emphasizing and conveying the mood set in the scenes. It is without a doubt a large part of Downton Abbey's appeal. So much can be said about how marvelous the music is but it's much better to just listen to it and hear for yourself!

IX | Cinematography & Costumes

Let's face it, this show is just pretty to look at! Every bit of it is so visually pleasing, especially the way the camera pans across the scenery, that one is not able to look away! Filmed primarily at Highclere Castle, there couldn't have been a more perfect site for Downton to be set. It is eye-candy from the first scene to the last. Everything, the rolling hills, the castle, the driveway, the village, the halls, the dining room, the library, even the kitchens and attic are so beautiful and are depicted in such a surreal way that you might find yourself planning a trip to the very sites where the show was filmed just to experience it firsthand.

Image © PBS

And the costumes and hats! They are to die for! The costume department hit the nail on the head here and did a splendid job. Not only are the clothes historically accurate and reflect the characters' status and even their personalities but they personally make me wish that sort of fashion was still in style. Parasols and all! Except the corsets, I could do without those.

VIII | Historical References

Downton Abbey, spanning from 1912-1914 in Series 1, coincides with major events in history. From the start this is evident as news of the Titanic's sinking arrives by telegram and affects the Crawley family when the heirs to the Downton estate meet their demise on the ship. It is this historical moment that serves as the catalyst that sets the rest of the first series into motion and from there on everything else escalates for the family. As they say, shenanigans ensue!

While they may appear to be the simplest of things to those of us living in the 21st century, the use of electricity and invention of the telephone are a novelty in the show and it is amusing to watch how the characters react to their sudden appearance in their lives. What follows are humorous situations where characters are afraid of the vapors that will seep out of the newly-installed lighting and where no one wants to answer the phone because its ring is like the "cry of a banshee" ... or perhaps it is because they don't actually know how to use it!

During this time, the Suffrage Movement is also in full swing and attracts the youngest Crawley daughter who wishes to join the cause and finds herself in a spot of trouble for it. Allusions are made of the assassination of the Austrian Archduke Franz Ferdinand and the trouble it has caused in Europe, and by the time the first series has reached its conclusion World War I has officially begun, leaving a sense of fear and anxiety among the residents of Downton. On the whole, a wonderful job is done in showing the inevitable societal changes and how it affects the characters, with the series ending on a cliffhanger that leaves the audience desperately wanting to know how the impending war shakes up life at Downton.

VII | Drama-filled Plot

Image © comfychairs @ tumblr

Or more commonly referred to as "juicy plotlines"! As mentioned before, we're presented with the sinking of the Titanic and the repercussions that follow what with the estate suddenly being in jeopardy because the heirs are dead. Then there is the whole business regarding the entail (Austenites understand the concept better than anyone) which was apparently set in stone years before by the late Lord Grantham, and consequently having to find a new heir while trying to figure out what to do with the eldest daughter who can't inherit since, of course, she's a girl.

But the plot is also filled with scandal and secrets, hidden pasts and lies, of which I intend to give nothing away. It's actually very much like a soap opera, but if anything it's posh soap! There's always something going on and following the character's lives is both entertaining and overwhelming. It's a marvel how easy it is to get completely sucked into the plots. There is so much drama and comedy and angst, it's almost impossible to be bored when watching any episode and by the end of each you're likely to be wondering what your emotions are doing because it's hard to describe what you are feeling in regards to what you've just witnessed. That might just be me though.

VI  | Memorable One-Liners

Image © passrevoked @ tumblr

Julian Fellowes, creator of this masterpiece along with the Academy award-winning film Gosford Park which can be said to be Downton's predecessor, is pure genius because the lines he has written are just fabulous! When you hear what comes out of the mouths of his characters, you wonder how does he come up this stuff? It's brilliant! The actors have called each script a real page-turner and what is transferred from page to screen is remarkable.

Who could forget Violet, the Dowager Countess' sarcastic remark, "Why does every day involve a fight with an American?" when sitting in and nearly falling out of a swivel chair invented by Thomas Jefferson and then proceeding to declare herself a "good sailor" when offered a new chair. Or my personal favourite (which my blog is named after) and perhaps the best known line in the series, "What is a 'weekend'?" which the Dowager asks with the utmost sincerity because in the life of an aristocrat like hers, weekends do not exist. In fact, everything Violet says is a hoot! More about her later!

Humor aside, some of the lines are memorable because they can be quite poetic at times. In particular, Lord Grantham's line, "We all have chapters we'd rather keep unpublished" stands out because of everyone's ability to relate to it. Who doesn't have a few things they'd rather keep quiet about eh? This and many more fantastic lines are part of the show's charm. Perhaps they're nothing special at all but they're quite nice.

V | Romance & Rivalry

It wouldn't be the same if there wasn't any romance to give you that gushy feeling inside, the kind that you feel when you read (or watch) Pride & Prejudice and Eliza and Mr. Darcy finally confess their love to one another and all you can think is "AWWWWWWWWW!"

The most captivating romances include the servants Anna and Mr. Bates (my favourite) whose relationship start off as friendship and slowly blossoms into something beautiful, and yet is a bit heartbreaking because Bates insists that Anna forget about him though she refuses to; Lady Mary and Matthew who are very much like Eliza and Darcy with their initial mutual dislike and who, after getting to know one another better, become engaged later on; and the vague relationship of Lady Sybil and the Irish chauffeur Branson is intriguing because of the social barrier they'd be crossing if they took things further. For these couples, we can only hope that they take a leaf out of Lord and Lady Grantham's book, in which their marriage was a matter of convenience and later on became one of love, and find happiness together in spite of the troubles that may come their way. And even housekeeper Mrs. Hughes reveals how she turned down multiple marriage proposals so that she could keep her job at Downton. You want angst, you got it!

And then there comes rivalry between lovers, sisters, friends, family, even people from some of the characters' past who they never expected to see again. This adds to the drama and provides great storylines to get caught up in.

IV | Villains

No proper drama is complete without characters we love to hate. The main antagonists take the forms of Sarah O' Brien, the lady's maid and Thomas, First Footman (otherwise known as the First Douchebag) who are the most manipulative, bitter, and spiteful people in the show. Whether it's plotting to get the valet Mr. Bates sacked or causing trouble for the family they serve, these two seem to have no limit when it comes to their desire to have their own way. Even Anna, head housemaid says of O' Brien, "We're all lucky if we get a civil word out of you" as she hardly has anything nice to say on most occasions. At least in last series' final episode, O' Brien felt some kind of remorse for her most recent act of unkindness which was possibly more evil than unkind to be honest. You'll just have to find out what she did for yourself because I'd hate to ruin the story. As for Thomas, he's still a major selfish d-bag.

III | Loveable Characters

[L-R: Lady Sybil Crawley, Lady Edith Crawley, Lady Mary Crawley, Cora, Countess of Grantham; Robert, Earl of Grantham; Violet, Dowager Countess; Matthew Crawley, Charles Carson, Elsie Hughes, Thomas Barrow, Sarah O' Brien, William Mason, Mrs. Patmore, John Bates, Daisy Robinson, Anna Smith, Gwen Dawson]

One cannot help but fall in love with these characters that Julian Fellowes has created and developed so thoroughly, whether hero or villain, aristocrat or servant. Within this upstairs/downstairs dynamic involving the Crawley family and their servants, there are are up to 20 main characters and each has something significant about them that allows them to appeal to a wide demographic (22 countries around the world!) and makes the audience come to genuinely care for them and want to know more of their respective stories. And, believe me, everyone has their own back-story!

As Dame Maggie Smith put it, "There are so many stories there with so many characters involved that it is a truly ensemble piece. It’s not as though there are any individuals really - it’s a whole company piece. And I think that’s interesting. I think the viewers love to know what’s happening in Carson’s [the butler] life as much as what’s happening in Daisy’s [kitchenmaid] and Mary’s [eldest Crawley daughter]." How right she is! Speaking of Dame Maggie, this bring us to Reason #2 ...

II | Dame Maggie Smith

Maggie Smith as Violet, Dowager Countess; Image © ITV

The Grand Dame herself! Need I say more? When you've got one of the world's greatest stage and film actresses headlining a show like this and proud to be a part of it, you know it's gonna be good! Dame Maggie plays Violet, Dowager Countess of Grantham, matriarch of the Crawley family who is there at every turn, poking her nose in everyone's business in which she believes she has a say. She is the epitome of the old aristocracy of the Edwardian Era and seems to care for nothing but that which concerns herself and her family, not to mention her disapproval of the changing world.

But what viewers will find is that beneath the snobbery, selfishness and inflexibility of this character there lies a kind woman with her family's best interests at heart, one made out of "pure custard", according to the Dame. With years of knowledge and experience, perfect timing both in comedy and tragedy, an extensive supply of facial expressions that make all the difference and the flawless delivery of her lines, Dame Maggie bring the Dowager Countess to life impeccably! And yes I am highly biased, this is my favourite actress after all and she is the reason I started watching in the first place. And besides, she has some of the best lines in the entire show and has been nominated for a 2011 Emmy in the category of Supporting Actress in a Miniseries or Movie for the role! What's not to love?

I | The Ensemble Cast

[L-R: Jim Carter, Phyllis Logan, Amy Nuttall, Lesley Nicol, Sophie McShera, Thomas, Howes, Joanne Froggatt, Brendan Coyle, Siobhan Finneran, Rob James-Collier, Dan Stevens, Dame Maggie Smith, Hugh Bonneville, Elizabeth McGovern, Michelle Dockery, Laura Carmichael, Jessica Brown-Findlay, Penelope Wilton] © ITV

And finally, the #1 reason to watch! The incomparable cast! Joining the Grand Dame are a fabulous group of people that brings the aforementioned lovable characters to life and makes their lives so intriguing and wonderful to keep up with. Everyone is at the top of their game when they really commit to their characters and it is amazing to witness. And to one's benefit, a new group of great actors is brought to attention and they are certainly notable stars to watch, especially the younger rising actors. This is very much an all-star cast and among the best that Britain has to offer! I classify them among the few flawless casts in existence. In short, they are truly what makes the show worth watching!

One might wonder, does the show have its flaws? Of course it does, just like everything else in this life. But what's important is that, while acknowledged and not completely overlooked, the flaws are seen past and that you simply have a bit of fun in Downton. It's a lovely way to leave the mundane behind for a while and escape into a beautiful world with beautiful people.

And if Downton Abbey doesn't appeal to you, well then, to quote dear Violet, "Put that in your pipe and smoke it!" Or you could always watch something else.

Downton Abbey returns in the autumn for its 2nd series on September 18th in the UK on ITV1. It will return to the US on January 8, 2012 as part of PBS' Masterpiece Classic. Do watch! The Dowager Countess commands that you do!

Images © Miranda Rachel unless otherwise stated

HelloGoodbye

It would seem that I cannot log into my blog here because my university decided to tamper with the e-mail system and make changes and as I was using said university's student e-mail account for that blog, everything is gone and I can no longer make use of that blog. I've already dealt with my panic and frustration about this whole ordeal in a mature way and I've created this new blog here so I can start afresh and perhaps be a bit more professional in my writing.

I thought about transferring everything else I'd written already from the other but that would be too time consuming and tedious. Instead I'll just transfer the article on Judith Light as it is one of my favourite pieces of writings and it means so much to me and then go from there and be productive for once. I have so many ideas, it's just further developing them and accomplishing them that's the problem.

So here's to a new start and a successful run with this blog. Wish me luck!

ON BROADWAY: A Little Light, A Lot of Love

Today’s generation knows her best as Ugly Betty’s Claire Meade and Judge Elizabeth Donnelly in Law and Order: SVU. But those who have followed her extensive career over the years will remember Judith Light from the hit 80s sitcom Who’s the Boss? as Angela Bower, the successful advertising executive and single mother who hires a male housekeeper, played by Tony Danza.

Originally a stage actress, Light returned to the theater this past autumn after many years of not having worked on stage. She is currently starring in the role of Marie Lombardi in Broadway’s Lombardi and her performance has garnered rave reviews. I was fortunate enough to see Lombardi in December and even more fortunate to have met with her for an interview at the start of the new year.

As someone who is not an avid sports fan and has little interest in football, I was surprised by how much I enjoyed Lombardi. Truth be told, I simply wanted to see it because a favorite actress of mine was one of the stars, but I found that I came away with much more than I ever expected. And even as a journalist, I was glad to see that there were many things relevant to journalism in the show. So like Michael McCormick, the journalist in the play, conducted interviews with the other characters, I held my own interview with the charming Judith Light!

Sitting across from me in the lower lobby of the Circle in the Square Theater where Lombardi is performed 8 times a week, Light is as graceful in person as she is on the screen. I was a little overcome by nerves, what with being in the presence of someone I greatly admire, but her kindness and patience quickly put me at ease and we began the interview.

We first discussed the play and her role as the wife of the renowned football coach, Vince Lombardi, who led the Green Bay Packers to victory multiple times and after whom the Super Bowl trophy is named. As part of her research to become this character, Light read David Maraniss’ book When Pride Still Mattered, on which the play is based. She referred to it as “the Bible for everybody in the entire show.” This was her primary source in discovering and capturing who Marie Lombardi was.

“I wanted her to be this full character that wasn’t a caricature,” she said, stating that the biggest challenge she faced was making her character real.

She chose not to listen to or watch recordings of the real Marie Lombardi as she did not want her portrayal of the character to come across as an imitation. What she did choose to use were the book, aspects of herself and her imagination. Audience members, including me, and theater critics alike would agree that her decision was met with success.

In an effortless performance, Light brought Marie Lombardi to life, embodying a sympathetic woman who dealt with her own struggles while she stood by her husband’s side and supported both him and his career. She even mastered what she described as Marie’s regal New York/New Jersey accent, which is a treat to hear coming from her. The accent combined with memorable one-liners Light delivered throughout the show brought much laughter from the audience.

Light stated that the play was not initially meant to be funny at all and it was the level of laughter that surprised her most in regards to audience reactions she didn’t expect. On the whole, she is pleased with the success the play has had.

Soon we turned towards a topic she is extremely passionate about, her activism. During the span of her career, Light has been an advocate for many important causes for which she continues to work tirelessly, and her celebrity status allows her to spread awareness on pressing social issues.

 

“I call myself an actor and an activist,” she said. “I think that celebrity is terrific … and I’ve always said that the perks that come with celebrity are terrific. But to me, and this is just me … if I didn’t find a way to do something with the gifts that were given me and the way that I had been blessed, I would not feel OK about myself. So that was something that was really important to me and that’s why I felt that I really had to do it.”

She places much of her focus on the LGBT community and the fight against AIDS, something she has done ever since witnessing discrimination and injustice firsthand and how it affected those near and dear to her. Light said that she couldn’t live with herself if she didn’t say something about it. And for those who feel the same way and are interested in becoming activists as well she says, “Your activism can go anywhere but it’s really up to you what you feel speaks to you.”

For such an inspiring person, Light notes her husband, Robert Desiderio, and her managers as her own daily inspirations, in addition to “the personal need to say the truth about what I see in the world and have support for that.” 

Though highly accomplished as both an actor and humanitarian, Light started off much like the rest of us at Mother Cabrini, a young girl with high hopes. She can certainly relate to the students here as she herself once attended an all-girls high school so she knows what it’s been like for us Cabrinians, past and present. As they say, she’s been there, done that. 

She also sympathizes with many people, especially the youth, who are discovering who they are and often face difficulties because they happen to be different. One thing she said to me particularly stands out that I think everyone can appreciate.

“Living your life truly as who you really are is incredibly important.”

This has since become something I try to remind myself of every day. And as the interview came to a close, she topped that by saying, “We’re one people. We’re one human body and we just all happen to be different in different ways.”

To hear her speak these words as we sat together is something so very special, it can barely be described. I am thrilled that I was lucky enough to have shared such an experience with her.

What made this even more special was that this happened to be the first Broadway show I had ever seen. It’s a pity that I happen to live in New York and had never seen a show before until now! That has been remedied and now I’m sure that I will make more of an effort to see many more, and all because of this one show.

Others I have spoken to have wondered what the appeal is about Lombardi. I would just like to make something clear about this play. Lombardi is certainly not just about the game of football. It is about so much more that what it seems on the surface.

Light has often said in other interviews that Lombardi is about inspiration and love. And she is absolutely right in saying so. But having met her in person, I find that those very words she uses to describe the play can be used to describe her. And yes, perhaps I am a little biased, but it seems to me that Judith Light herself is the embodiment of inspiration and love.

She is definitely someone I think people, especially young ladies like those of Cabrini, should look up to. I am glad to be able to share my experience with you all and I thank you for letting me do so.

It seems like my time as Editor-in-Chief for Cabrini’s newspaper finally paid off and I can now safely say that my career as an official journalist is well underway!

Lombardi is showing at the Circle in the Square Theatre between 50^th Street and Broadway until June 19. Go see it!

This article was written for Mother Cabrini High School's student newspaper, The Cabrini Courier. Many, many thanks to Judith Light for allowing me to have such a wonderful opportunity.